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End long hours culture in film & TV


“I cried at work from pure exhaustion, it was humiliating. I never see my family, I neglect most of my personal life to be able to keep up with the hours.”Anonymous


Behind the glitzy image of film and TV is a workforce pushed to the limit. Workers are routinely asked to "break turnaround".


A worker is considered to have ‘broken turnaround’ when they are required by their employer to return to work within less than 11 consecutive hours in each 24-hour period. This is in breach of workplace rights.


Freelancers across the industry are routinely working 14-16 hour days, often with little rest, few breaks, and no meaningful increase in pay. Long hours culture is the norm.


Bectu's Broken Turnaround survey revealed widespread breaches of basic turnaround times, alongside testimonies that expose a culture putting workers at risk.

Despite years of promises, the industry has failed to act.Talk of work life balance means nothing without real change. Enough is enough.


We are calling on the Producers Alliance for Cinema and Television (Pact) and the wider industry to:


  • Enforce safe working hours and proper rest periods

  • Guarantee regular, protected breaks

  • Make overtime voluntary, not expected

  • Apply premium penalty rates to minimise its use

  • Commit to collective agreements that protect crew


Sign this petition to demand safer, fairer working lives for everyone behind the camera.


Why is this important?

Long hours are dangerous. Fatigue leads to accidents, harms mental and physical health, and puts lives at risk on set.  Enough is enough.


SIGN THIS PETITION to demand safer, fairer working lives for everyone behind the camera.


Why is this important?

Long hours are dangerous. Fatigue leads to accidents, harms mental and physical health, and puts lives at risk on set.  Enough is enough.

 
 

It’s hard to believe that a year has passed since 21 May 2025, when we lost our GBCT Chair and dear friend Tim Potter. He died three days after attending Bectu’s annual conference. There was a great outpouring of shock and sorrow from all who knew him.

We have lost a kind, patient and unassuming comrade, a true gentleman with a wealth of knowledge and expertise, always generously shared.


Tim joined the Guild in 1991 and was elected to the Board in 2006, becoming Chair in 2009. Through his positions in both Bectu and the GBCT, he championed the education and training of camera technicians.


The GBCT and Bectu held a joint celebration of his life on 30th August 2025. Over 80 family, friends and colleagues attended and there were speeches from his brother Morley and Ian, his university friend of 40 years standing. Bectu’s Spencer MacDonald also delivered a moving speech, stating that film technicians in every department owe Tim a huge debt of gratitude for his dedication to maintaining rates and improving conditions to keep us all safe at work and not at risk of falling asleep at the wheel on the way home.


As we recruit a new Chair, we send our love and best wishes to his beloved wife Kathy. He is greatly missed.

 
 

The forthcoming Script Supervisor workshop is designed as a 2 day introduction, which will equip attendees with sufficient knowledge to enter the industry as a trainee.


Number of attendees:  20 max


Equipment you’ll need

·       Stopwatch or mobile phone stopwatch

·       Notebook or laptop

·       Pens/pencils

 

You will be shown what it is to be a script supervisor.


Tutor's bio

Sarah Hayward is an experienced Film and HETV Script Supervisor, who has worked in the UK and abroad, most recently on a D.C. Comics feature to be released later this year.

She has run courses in Script Supervising for CMS, the GBCT, the Guildhall School of Music and Drama, LAMDA, the London Film School, UCA Farnham and the NFTS. She is a trained Assessor for the Level 4 UAL Diploma in Script Supervision.


Start time of course:  9:30am for a 10am start until 5pm each day

Venue:  Panavision UK, Bristol Road, Greenford, Middlesex UB6 8GD

Course fees:  £350 for 2 days

Date:  23-24 June 2026


Register your Interest under the Training page for this course and send your CV to info@gbct.org.

If selected, you'll be contacted for payment


Deadline to register: 8 June

 

This course is open to those interested in script supervision including from other departments, who have worked in production who wish to better understand the role.

Please bring your own lunch.


Bursaries:If you are unable to pay the full cost of the course, you may qualify for a bursary c/o ScreenSkills


 

 
 
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