top of page

It is with great sadness that the Grips Branch announce that our dear friend and colleague, Bill Geddes, passed away peacefully on Sunday evening.

His wife Helen thanks many of Bill's oldest friends and colleagues in the film industry for all the support she and Bill received over the past twelve months, especially towards the end of his life. It was a great comfort to Bill and Helen, and she wanted to express her heartfelt thanks to everyone, through what was a very difficult and challenging time.


Bill was diagnosed with his illness in January 2024, and was hoping for a positive and successful outcome. Sadly he found out in October that wasn’t to be, and it was a tribute to the man’s character how he faced up to the news, courageously battling to the very end.


Bill was an ace Grip who had a long and stellar career in motion pictures, working with directors such as, Stanley Kubrick, John Boorman, and Brian DePalma.


When Grips Branch was formed in 1985, he was elected onto the first committee, serving for several years. Bill was liked by everyone and loved by many. He was a loyal friend, great company and a joy to work alongside. He will be sadly missed by everyone who knew him.


Our condolences go out to his wife, Helen, his two daughters Sam and Kelly, his son Paul, his son-in-laws Andy and Jonathon, grandson Jack and his wife Abbie.


Source: Grips Branch Committee


Dee Edwards 04.08.1955 - 20.12.2022
Dee Edwards 04.08.1955 - 20.12.2022

On 20 December 2022 our lovely Dee passed away. She is sadly missed.


Please feel free to add your memories of Dee and how she helped you.

Here are a few words from some of our Board members about Dee.


'Dee was a dear friend and a lovely human being.

She helped so many people. Either to get into the industry or those of us that were well established and always looked after us.

Had it not been for her, the Guild would not be what it has become today.

She is sorely missed by all of us who knew her and stays in our thoughts'


'Dee was not only a friend she was the life and soul of the GBCT if it wasn’t for Dee the Guild wouldn’t be here today, she loved helping people into the industry and would look after them making sure they were in a good place.

She was a very generous person with her time and money which she proved time after time and I’m sure she would be proud of what the Board has done in her absence. RIP Dee'


'It’s been two years since we lost Dee and she’s sorely missed every day for her enthusiasm, her wisdom, her compassion and her friendship. She left an indelible mark on everybody she met and our industry as a whole'


Note: If you are struggling with your mental health and need to speak to or text someone, please contact the following agencies. Most offer a 24/7 service including over the Christmas period.


The Samaritans - call 116 123


Mind - 0300 102 1234


SHOUT - If you would prefer not to talk but want some mental health support.

Text SHOUT to 85258. Confidential 24/7 text service providing support if you are in crisis and need immediate help.


The Film & TV Charity - 0800 054 0000




It is with sadness that we learn of the passing of our friend and member, Mike Proudfoot ACO Assoc BSC.


Mike’s journey into film was complex as firstly, after leaving school, he trained as a car mechanic with Porsche. Falling into the film industry came about by accident; his friend’s wife worked at the Rank Organisation’s shorts and documentaries department and they told him they needed a mechanic to look after the camera cars.


After a year at the company he was offered the role of documentary assistant, this allowed him to go all over the world for over two years, the role of documentary assistant allowed him to try his hand in all the roles.


Following the closure of the department, Proudfoot got a job on the last season of The Avengers as a loader. From there he built his career up working his way through the ranks becoming a focus puller on a number of commercials before being employed to work on The Sweeney.


Proudfoot continued to move ahead, operating Scum (1979) and The Long Good Friday (1981) for Phil Méheux BSC before moving on to Absolute Beginners (1986, Oliver Stapleton BSC), Air America (1990, Roger Deakins ASC BSC), Batman (1989, Roger Pratt BSC) and more.


Proudfoot told British Cinematographer that “I like working with old fashioned directors. I call Edward Zwick an old fashioned director. I did Blood Diamond (2006) and Defiance with him. He was a real hands-on director. He didn’t want the finder, didn’t want to get involved with the set-up, he would just tell me what he expected to see. We would then go off and make it better than he thought it was going to be.”


Our thoughts go out to Mike’s family, including Miles his son (also a Camera Operator), at this sad time.

Oliver Stapleton BSC also shared this tribute to Mike:

“Mike was a highly skilled Operator and, more than that, a kind and supportive person to those on set who knew less than him.  This was not the “norm” in the early 80’s when us “film school brats” came on the scene in the late 70’s and early 80’s.  At that time the UK industry was a highly traditional male-orientated post war/post army hierarchy.  Generally speaking I encountered fierce resistance to the notion that I could be a DP without rising up through the ranks: so me and others decided to operate ourselves – so bypassing the tradition of the Director working with the Operator on the sets up …   Some operators at that time would literally tell me to “eff off and light” if I dared to interfere with their relationship with the director..  hard to believe but true. 


So when my fellow NFTS student Julien Temple and I were offered the chance to make the musical film Absolute Beginners in 1986 I realised that the pressure on me was going to be enormous, and I needed a Operator.. but Who?  Julien and I had been working together for years and I had operated everything myself so it was with great reluctance that I accepted the logic from the producers that I should not operate.. it made sense.  So this is how I met Mike Proudfoot and his magic team of Dave Morgan on focus  and ace grip Colin Manning.

 

Mike was everything that I hoped for in an operator – we became a well-balanced triangle as we worked out the very complex shots along with Julien.  Mike knew just how “green” Julien and I were to this kind of large scale movie, but there was never a moment where I felt anything from him but great respect for what we were doing.  


Over the years I worked with Mike & Dave on three other films and every experience deepened my trust in the great work they did. We were not “friends” but colleagues with a deep understanding  of each other’s contribution.  I will be forever grateful for his kindness to me which manifested itself not in an obvious way, but in his ability to be a genuinely creative contributor with a silent understanding of the forces at work when he joined a Director/DP Duo: this is the unacknowledged skill of the great operators – an ability to just seamlessly step in and step out as required. 


My condolences to his family – he will forever be an important part of my cinema journey.” 

Excerpt provided by the BSC

bottom of page