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The purpose of this document is to assist production companies to assess and manage their COVID-19 risks on shoots and identify reasonable and practical steps to safeguard the health and safety of everyone attending a film shoot in relation to COVID-19.

CLICK HERE TO...

We are pleased to announce that as of this week, Panavision, Panalux and Direct Digital facilities in London are once again supporting equipment rentals. Additionally, global locations including Paris, Warsaw, Prague, Cape Town and Johannesburg, as well as Australia an...

Slightly amended document from the one sent out in last week's weekly e-mail.

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The British Society of Cinematographers, Association of Camera Operators and ScreenSkills have joined forces to form a new mentoring programme designed to support cinematographers and camera operators from groups under-represented in the screen industries.

READ HERE!

We have spent the last six weeks behind the scenes focusing all our energy into preparing the business for “return to work”. With social distancing and safety procedures in place we have re-opened our Uxbridge facility and are ready for business. With that being said,...

We have created a series of ‘DoP Potraits’ which are a number of video interviews with DoP’s sharing their experience of recent productions that they shot using the Sony VENICE.
 

Some of the highlights include:
 

Oli Millar

Blinding Lights Music Video for the Weeknd
 

Ben...


LOST IN SPACE FINDS CONTRAST IN THE DARKNESS WITH COOKE 5/I LENSES
 

" DP Sam McCurdy BSC chose Cooke 5/i lenses to shoot the second season of Lost In Space, the popular Netflix sci-fi TV show which follows the adventures of a family of space-colonists whose spaceship...

Following on from their recent email notification, attached is ASPEC’s 10-point plan for you to view.

CLICK HERE TO VIEW THE PDF FILE

If you have any comments, please email: kate.furssedonn@virginmedia.com

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